all original tracks written by sutekh and twerk classic 2000 double 12 compilation with cool reconstructions by kit clayton, stewart walker mick harris and many more

marc schneider comes around with a new 12 inch on hamburg based label was not was called >sniper ep<. the a side starts like a shot, to be thinking not to arrest somebody. groovy percussions, claps and hihats open the round dance, mysterious strings and a cryptic nice little melodie rounding this tune. when you get to the part of having to turn the record over you will be pleasantly surprised by what you find.. another assassin, hell yeah, hard pumpin basskicks, a dusky bassline, dark vocal snippets and psycho-soundscapes stand for for their own, party hard! the >sniper ep< is an unusual record, clever mixture of banging minimal sound and ravey structures, at the end there wont be survivors, only shoot dancers.. tip

michael kaiser s career has been on the rise, on the paris house music scene since he first started djing. in five year, he imposed himself as one of the most talented dj of his generation and after working at the renowned club >the end< in london, he became resident dj at the mythic club >le queen< on the champs elysees in paris and also resident dj at radio fg. his latest track >breathe< is a pure mixture of tribal house and tech-house with a strong vocal, with remixes of songe black, alchemic storm and dee nice, be sure not to miss this one

spontan, flockig...von zart bis hart im typischen festplatten gewandt

it would surprise us if this doesn t become one of 2007s biggest cross over tracks. will be released by major later, and this limited risky dazzle edition of 600 is sure to end up a collectors item. the #2 record release on new swedish label risky dazzle, which deals in poppy club tracks and clubby pop tracks by swedish and international artists of the new school. a tip: follow us from the star

>kebabtraeume von daf und andere wilde elektropunk knaller. tanz den helmut geier<

nice price deal !!! played by sven väth, andrew fletcher, miss kittin, felix da housecat !! weve already had northern lite - its time to move on to eqt! furthermore, monoroom display in their two interpretations with every emphasis that their time of being an insider only has definitely come to an end! the tension keeps rising..

entered buzz charts this week, huge hit expected for this end of a year. after making a name for himself as the hottest young producer on the block (bloc party, maximo park, the rapture to name a few) paul epworth finally releases his own much anticipated solo material as phones. for those familiar with his floor slaying remixes under this alias for artists as varied as new order, goldfrapp, roxy music and black strobe, sharpen the knives and worryin hit the dancefloor hard. sharpen the knives is an agitated, visceral monster that climbs to a breakdown, leaving you begging for mercy, but with a huge grin on your face. >worryin< is a slower affair, still dark and digital and ever so slightly menacing. both tracks are a taste of great things to come from this prolific talent, leading into an album some time in 2007

uh hugh, this side of the record is a story that tells its self. dirt mixed with crunchy melody and excitement, makes this mix of bouncing bubbly blobs an irresistible must have. low end sub loving bass lines and analogue riffs all together with a voice that tells it like it is >uh hugh<. this side also holds the fort as far as the oldschool is concerned. deep, lush and full on non stop madness. jump in and roll in it. viography. this vibrant electro pumper is another one of pig&dan s more positive good time tracks that has made the duo name more present in the boxes of the less techno orientated dj s. it s feel and vibe still hold the electronic imprint to be expected of their previous works, but with a melodic edge that is unique and has a smile appeal that reaches peaks of musical bliss. this production has its little twists that give it an acid vibe and a feel which was present in the oldshool

raise your voice features the vocal talent of one juan wells. the production skill set of jaimy is outstanding. it has a kick drumthat isnt stale, a growling bassline and some percussion in the high end that shows some real emotion. tcks remix brings amazingelements to the table! the song really breathes life into itself when it comes out of the break

as the first 3 maxi releases were focused on a hypnotic and percussive style, this one is an amazing new variation of his sound. >cant get enough< is an ingenious produced dub track as its best. it works up to the middle and unloads irresistibly in a percussive bass. >sunset< seems to be one of those detroit influenced rays, as theyre well-known being played at the end of pascals famous after hour sets..

originating from the city of lille in northern france, terence fixmer has been one of the key protagonists in the connection of electronic body music in the style of front 242, klinik or nitzer ebb with modern techno since the end of the nineties. with releases on his own label, planete rouge, and the albums >muscle machine< (2001) and >silence control< (2006) on dj hell s label, international deejay gigolo, the 34 year old berliner-ofchoice is positioning himself at the cutting edge of a techno concept that is as aware of the past as it is relevant to the contemporary

careless # 003 presents 2 drum & bass / breakbeat tracks by olivia fx a live band based in berlin >pinkus on the run< a dance floor filler with rolling beats and a rave hook line û classic build-up to a long-standing break followed by a sweeping e-bass and dark haunting vocals from lebanon born mc massiw le ghaza. finally hitting with full-on power to the end. high speed mania ! >> limited restock !!

following up the massive debut of lets pet puppies, marcus mixx returns with a two tracker of straight up classic chicago dancefloor mayhem. t.a.p. is nasty. you thought you were nasty? sorry charlie, nasty s over here. marcus drops the vocal on this track thats either a precursor or the end point for ghetto tech, and most likely simply in a class by itself. psychousic is somewhere in between classic robert armani / armando, and the best of the early relief stuff. can you say beat track? if your floor doesnt jack to this, you need a new one.

feinster durchgespacter minimal deotroit techno a la sterac / steve rachmad

berlin a melting pot of cultures: in this episode: sweden & usa. mikael stavoestrand is recognized as a minimal structural engineer for a longer time now – both as solo artist and in variant collaborations. on >no turning back< his co-worker for the vocal component is once again big bully with a softly pushing voice right above mikael s bouncy, but clean beats. on b1 the a-side track is remixed by krause duo. in contrast to the original they replaced most of the vocals by an e-piano line with warm and dub-like harmonies. in the end b2 arises the question: >where did you go?<: the answer is … maybe like every monday: dancing

after the big success of gut feeling/frequency, this twelve sees the return of emalkay. bats in the belfry takes it to the next level with its solid half step beats, midnight strings and a bassline that rumbles with robust abandon. overflow on the flip causes extreme low end damge, while super duper takes bass notes up and down the octave only to smash it with an underlying hard edged beat

this ep is played by: karotte, tobi neumann, thomas schumacher, afrilounge and more . on a side a experimental oriental guitar track, for friends of ricardo villalobos or luciano. on the flip well known artist nick curly from mannheim/frankfurt produced a tricky minimal tune together with another new artist called reclick. triplet bassline and a catchy melo at the end let the track roll and come to a nice final

rekids present >ghouls< by the multi-talented music for freaks luke solomon. a massive stomper of a record with heavy drums aplenty - this is the peak time jackin house that luke does to perfection. this killer 12inch also features a hot remix from man of the moment >claude von stroke<. he takes things strictly minimal but bouncy then beefs things up near the end of his mix as the bassline turns much more snarling. perfect for the dance floor!

stunning hardtechno to burn the floor !!! volume two is definitely a true treat for those sick of the other part of today s scene, which is exploring there way into the infinite abyss due to their search for the ultimate minimalistic sound. in the end there will be a few clicks and cuts left and most of those in need for percussive music will be begging for rock-hard, cut the crap sharpness like this new fatalic resignation !!

official new justin double 12 inch vinyl album! murder stuff for tha floors - 12 tracks ! featuring timbaland, three 6 mafia, will.i.am, t.i. ! incl world wide no 1 hit sexyback !

as a producer d julz released his tracks since 2000 on labels like ovum, serial, 20/20 vision, paper, music for freaks, end recordings. now he is back with a fresh 12inch on dessous recordings.the title-track >berlingo< is a breezy and funky beatdriven mixture of reduced house music and technoid influences which seem to escalate from bar to bar until some hypnotic chords come in and set the roof on fire!moon harbour s finest matthias tanzmann & daniel stefanik created a fantastic remix of >berlingo< recomposing the original ingredients into a dark hypnotic techno house hybrid. deep and drifty >sulo< on b2 rounds up the single with a flashy bassline and nice sythnie and sound gimmicks

with this brand new ep, his first one on a non-french label, d vincent turning back to 80s electro pop style, espescially on the a side >caps lock<, which could be the instrumental part of a depeche mode tune. not to be taken too seriously, of course ! >less< is more looking towards the actual electro-techno dance floor, and the other b side is a remix of bazoline founder doctor olive s the end of the beginning<. the original was released on parisian label missive music in october 2005 and played, a.o., by laurent garnier. this d. vincent remix was previously unavailable and definitely deserves exposure. in case of laurent garnier,doctor olive,dj hell,jack de marseille,lars sandberg,…!

main vocal mix already a favourite of greg gauthier, the original by di pascali mixes fender rhodes and soaring strings with elements of funk and a killer baseline. coupled with the incredibly strong and sensual vocals of the talented laïa, the effect is guaranteed to take your breath away!rks dub version dj rorks take on the song is strong on keyboards, with a catchy vocal hook that will keep you going from the start right to the end of the track. definitely to be played to death.support by didier sinclair in love of breathe to fly, amnaye, léo cuenca, yass, greg gauthier, dj rork

norway and no end….thank god!oslo based producer and dj thomas m. hermansen aka prins thomas is solely responsible for this new masterpiece on full pupp recordings and, my friends outside, fehrara is one of the most thrilling records of this years autumn season!the a side starts with this kind of very popular disco sound full pupp stands for…amazing!the flip brings us a deep and groovy neo-disco-acid tune, perfect track for a hot and never ending club night!epilog:after sunrise, nearly everybody decided - the audience were swept off their feet

a1 no sleep:an amazing 13-minute latin pop electronic house piece ,a journey that is already making a name for itself in the world bests dancefloors. percusions,baselines ,bleeps mental sounds blending together with a dirty groove that keeps on changing and developing ,to peak in soulful and painful vocals accompained with a lead melancholic guitar and jorge singing -is just like to be on drugs without the fun-.....sounds familiar?...the song ends in beautiful detroit styled chords , a good reason to play it until the end..b1 close that door: an acid house jam with extravagant and abstract lyrics showing gonzales dark humor and irony.close that door has a killer acid baseline and the usual quirky dinky touch ,lots of sex and groove on this track,a sure peak-timer.think dan bell meets prince.b2 no sleep (edit):a smart instrumental version of no sleep for those vocal snobsters.just the groove here, no vocals,no guitar or synth lines, and exelent tool

nice price deal !!! one of the strongest sinister releases to date. deep, phat, bottom end booty shakin nonsense with some twisted electronica madness riding the ridums. pounding beats, glorious riff action and stuttered vocal edits all embrace in perfect production harmony that collectively make an essential dancefloor purchase.spectrometer on the flip sees the beats sharpen up and the dynamics take on a techbreaks formula.spectrometer drives harsher forever building the acidic layers. atmospherics fill the drop out before a solid wall off full force tech frequencies launches skyward maximising dancefloor obliteration.

finnish neo-disco-kings star you star me deliver another slice of the sweet cherrypie they are known for. the russian house-meister an-2 strips the song to the basics, with heavy bass, minimal keystabs and perfect breaks, keeping the tension to the end of this 8 minutes journey. james flavour, half of dirt crew and renowned raver in his own right, takes a different approach to retro

phil barry first started playing guitar at the age of 14, learning jazz, classical and rock styles and bought his first drum machine and four track soon after. hearing dance music at the end of the 80s made phil think that a fusion between dance and rock could be possible and he formed a band, >cubanate<

the first new music from canadian electronic pop duo junior boys since their much-acclaimed >last exit< long player. >suggest talk talk produced by timbaland… junior boys spectral vision of electronic pop is an understated, unpredictable delight ****< said the guardian of >last exit<. without a domestic release this album in 2004 crept into most journalists end of year polls. this is the first junior boys release to be released on domino worldwide and initial reactions have been fantastic. it seems that word of mouth has been spreading like wildfire on this band. >in the morning< and >the equalizer< are both taken from the forthcoming album >so this is goodbye<. they are backed with remixes for the coolest dancefloors from nyc s morgan geist and glasgow s alex smoke. the band play their uk debut at london s luminaire on august 10th and then return as very special guests of hot chip in the autumn for a full uk tour.

>> vortex on the flipside ist produced end edited by richie hawtin

dj support : dan curtin, daniel stefanik, dominik eulberg, jambi, james flavour, anja schneider... gummihz s 2nd release of mobilee comes straight from the bottom of his heart. the concept of >modern dynamic< is based on developing grooves by manipulating the dynamics of a sound, rather than composing melodies. a side consists of a steady groove with a few surprises taking place in the sonic spectrum and a dominating fm tone evolving throughout the arrangement. it is the kind of tune that delivers pure freakness on the dance floor. flipside is set in a deeper atmosphere with a sweet electric piano groove appearing in the end, reminiscent of the starting time of deep house. agony develops during the first minutes of the track, leading to a relaxed groove in theme with the sweet summer breeze

at the time of its original release in 1993, detroit techno producer carl craig was known mostly to a small circle of collectors in europe. his early releases on transmat and fragile had become cult classics on the techno underground. these were followed by a series of stunning releases on his co-owned retroactive label. 1993 saw carl launch his planet e label and he released an ep by 69 followed by an ep of material by art owner kirk degiorgio (future/past) and ed handley of the black dog (balil). it return it was agreed carl would record an ep for art - which became art 3. the new recordings included a dance floor stomper - >chicken noodle soup< and typically moody down-tempo grower >how the west was won< and an ambient end-piece >sleep<...

michal ho returns with a slick and bumping bomb for the tuningspork masses! after his debut as a solo artist on the >frisky< ep (ts18), michal decided to keep to that same infectious stripped down vibe that immediately won over the hearts of such dj/producers like ricardo villalobos, richie hawtin and steve bug. with this ep michal drops things down a notch, and magically becomes an undercover-lover, with this new role in mind he decides to squirm it up with bleeps, beeps, squiggles and lots of jiggles. the end result is a minimal, bleepy, bumping house record !!

after being released as one sided limited release last month, americana immediately was highly in demand. repress a limited? of course not, so time for a full release. the track new era continues where americana stopped. full summer breeze with it s funky guitar and hypnotizing dreamy synthesizer lines. let the summer never end

aka portable aka alan abrhams with slinky minimal rhythms electronic tracks with a little puming feeling..

a man that needs no real introduction gives us the first in a series of offerings. luke solomons newest production company bad brains and black flags brings us two new hot tracks. the title track phantoms with its bass driven punk edge and the b side end of days with its more tweaky white noise kinda feeling. another example of how punks and electronics can coincide harmoniously. whatever your pleasure we re sure you ll dig this one just as much as we do

frankfurt based max wendling, who released so far records under the name paradroid on labels like mille plateaux, orac, overdrive, friends of tomorrow, goes on with the new force inc series. paradroid combines molecular sounds and splatter parts which intensify the grooves, that the sounds are at the end the groove themselves. the groves are earthy and deep and the music is moving forward like whirling sequences….

irish born, london based gavin herlihy is more known for his journalistic writing skills than writing clubmusic. this has come to an end with the release of his debut production >machine at my homework< for moodmusic. a tasty piece of detroit influenced minimal maximal technohouse music at it s best , >machine..< rocks floors where ever it s been played, be it then in the more house orientated club or a minimalafterhour jam on a tuesday morning. already on heavy rotation with the big-league djs (dj hell /mylo/ewan pearson/loco dice/james flavour/ fergie/michael reinboth/paul oakenfold) this one will be a hot tune for the summer

the (un)official world championchip winner anthem by zok zok. pressed and shipped from the pressing plant just a few minutes after the end of the penalty , zok zok pays tribut to the world champion winner from italy. el ultimo l homage to del piero, cannavaro, totti, buffon, zambrotta, grosso, rimini, ice café, auto scooter, italo disco, lancia, gianna nannini .... viva italia.

wonderful new stuff from dj jus ed sounding like classic mr fingers stuff with a modern heavy bottom end

written and produced by ricardo villalobos. remix by isolée. the master of minimal click house & hypnotic tech house follow up with a huuge track for the sisterphunk labelfeatures a isolée remix. much much awaited release already acclaimed by the big boys, dave clarke, laurent garnier

ably assisted by vegas new percussion pal luisito quintero master at work louie and the blaze boys complete nine and a half minutes of sublime jazz invested offbeat house joshuas jam has the us house legends at their most esoteric literally jamming for their own pleasure yet still coming up with the goods like a late 90s claussell production the dub mix feels as if it has slightly more bottom end due to numerous occasions where the bass drops out only to return stronger for it

forth edition of the west end blue series the main responsible for the record is the ny guitarist singer songwriter and producer shelton garner featuring manchild black

1999 classic release produced by san frandiscos iz (aka joshua/circulation) & chicagos dj diz this deep house anthem is a deep and soulful affair with dubby touches lovely live percussion and an hypnotic feel the satisfaction mix peps and steps things up a bit introducing a 303 bass a new female vox snippet sharper hi hats and a little more action in the mid range instrumentation for the last track the guys drop the tempo down and bring in some cheeky latin sounds and extra acid for an end of ep oddity that sounds like an acid disco track when cranked up to +8

a smooth deep vocal house release very similar to naked music, west end, shalter and wave music fans... for your body & soul

all hits from 1999-2006 + unreleased traxx !!

i.f.f. returns to robbaudio with a solid follow up to their highly regarded first release on the fledging label.. mixture of minimal electro funk with west cost feeling !!!

mood ii swing displaying thier talents here with three mixes of this soulful vocal number on defected offshoot soul heaven 2 of these mixes are on the deep ny garage mode and the dub is a full on tough club pounder original mix is pretty cool too and combines a smooth vocal with a big low slung bottom end and some deep chord patterns